Released: 10/25/1994

Personnel: Madonna (vocals); Tommy Martin (guitar); Colin Wolfe (bass); Marius DeVries (programming); Niki Harris (background vocals); Dallas Austin, Rick Sheppard.
Producers: Nellee Hooper, Madonna, Dallas Austin, Dave "Jam" Hall, Babyface.

Engineers: Brad Gilderman, Michael Fossenkemper, Darin Prindle, Alvin Speights, Mark "Spike" Stent.

Art Direction and Design: Fabien Baron and Patrick Li

Photography: Patrick Demarchelier

Tracks:
	01. Survival
	02. Secret
	03. I'd Rather Be Your Lover
	04. Don't Stop
	05. Inside Of Me
	06. Human Nature
	07. Forbidden Love
	08. Love Tried To Welcome Me
	09. Sanctuary
	10. Bedtime Story
	11. Take A Bow

Album Info:

For Madonna, pop music is the canvas of her greatest aspiration. While some critics might be ready to write her off, BEDTIME STORIES reasserts Madonna's claim to the R&B/dance floor turf she ceded to others as her own productions became elaborately self-conscious. And where performers like R. Kelly filled the breach with risque, sexually explicit fare, BEDTIME STORIES marks Madonna's return to a more stylized, elegant form of R&B.

Not that Madonna has gotten herself to a nunnery, as the soft-focus ooohing and aaahing of "Inside Of Me" demonstrates, but the overall approach on BEDTIME STORIES is less carnal, more romantic (like the difference between the Supremes and Salt N' Pepa). But in collaborating with innovative producers such as Babyface and Dallas Austin, Madonna has again positioned herself on the cutting edge of modern R&B (compare the layered, collage-like production of "I'd Rather Be Your Lover" and "Human Nature" to Dallas Austin's innovative collaborations with Joi on THE PENDULUM VIBE, or, for that matter, with the eerie "Bad Baby" from P.I.L.'s METAL BOX).

The spooky "Sanctuary" samples Herbie Hancock's "Watermelon Man" to create an African backdrop for Madonna's tale of earthy devotion, while the Icelandic diva Bjork's elliptical "Bedtime Stories" propels Madonna way beyond the limits of language on this crafty, near Eastern textured arrangement. The Oriental-flavored R&B of "Take A Bow" provides a confessional epilogue for this delicately-mannered program.

Source: MTV.com

Review:

After the drubbing she has taken in the last few years, Madonna deserves to be mighty mad. And wounded anger is shot through her new album, Bedtime Stories, as she works out survival strategies. While always a feminist more by example than by word or deed, Madonna seems genuinely shocked at the hypocritical prudishness of her former fans, leading one to expect a set of biting screeds. But instead of reveling in raised consciousness, Bedtime Stories demonstrates a desire to get unconscious. Madonna still wants to go to bed, but this time it's to pull the covers over her head.

Still, in so doing, Madonna has come up with some awfully compelling sounds. In her retreat from sex to romance, she has enlisted four top R&B producers: Atlanta whiz kid Dallas Austin, Kenneth "Babyface" Edmonds, Dave "Jam" Hall and Britisher Nellee Hooper (Soul II Soul), who add lush soul and creamy balladry. With this awesome collection of talent, the record verily shimmers. Bass-heavy grooves push it along when more conventional sentiments threaten to bog it down. Both aspects put it on chart-smart terrain.

A number of songs – "Survival," "Secret," "I'd Rather Be Your Lover" (to which Me'Shell NdegéOcello brings a bumping bass line and a jazzy rap) – are infectiously funky. And Madonna does a drive-by on her critics, complete with a keening synth line straight outta Dre, on "Human Nature": "Did I say something wrong?/Oops, I didn't know I couldn't talk about sex (I musta been crazy)."

But you don't need her to tell you that she's "drawn to sadness" or that "loneliness has never been a stranger," as she sings on the sorrowful "Love Tried to Welcome Me." The downbeat restraint in her vocals says it, from the tremulously tender "Inside of Me" to the sob in "Happiness lies in your own hand/It took me much too long to understand" from "Secret."

The record ultimately moves from grief to oblivion with the seductive techno pull of "Sanctuary." The pulsating drone of the title track (co-written by Björk and Hooper), with its murmured refrain of "Let's get unconscious, honey," renounces language for numbness.

Twirled in a gauze of (unrequited) love songs, Bedtime Stories says, "Fuck off, I'm not done yet." You have to listen hard to hear that, though. Madonna's message is still "Express yourself, don't repress yourself." This time, however, it comes not with a bang but a whisper.

Source: Rolling Stone, Barbara O'Dair, December 15, 1994